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[pdf] Gospođica (Bosnian Trilogy, #3) audiobook summary ePub ⭐⭐⭐⭐⭐ Gospođica (Bosnian Trilogy, #3) read book online in full audio book complete english [PDF] Gospođica (Bosnian Trilogy, #3) book summary english Gospođica (Bosnian Trilogy, #3) book content pdf english Gospođica (Bosnian Trilogy, #3) read book online, order books Herzog - media of all kinds quickly and securely. new, complete and free update with price from online bookstore, but here you can get unlimited access anywhere Random House: Haus der Verlage, House of diversity for literature, non-fiction, specialist book, children's books, guide book and life support Gospođica (The Woman from Sarajevo) by Andrić was originally published in 1945. and is one of the three novels that make up the Bosnian Trilogy". The other two are Bosnian Chronicle and The Bridge on the Drina.
The novel is set in the cities of Sarajevo and Belgrade during the first three decades of this century. The places and time are not incidentally chosen. Ivo Andrić is from Bosnia and knows the people and their problems in this unique area. The theme and composition suggest a work of modern classicism. It is the tragic life of a woman disappointed in people and in the world she lives in. She is completely enslaved by money, in which she hopes to find security and revenge in a hateful and insecure world. At the same time she is literally and feverishly following her bankrupt father’s last plea, as she becomes not only thrifty but a real miser in a classical Gogolian style.
This novel is dominated by a single character, a spinster named Miss Raika Radaković who is dominated by a single passion, stinginess. The development of this passion is traced through the first third of this century, from the time Miss Raika’s dying father, a ruined merchant, solemnly enjoins his school-girl-daughter to guard with her life the little property he can leave her, until some thirty-five years later when she herself dies, a scrawny old woman, unloved and unlovable, but faithful to her trust. As a moneylender she parlays small insurance legacy after her father into a small fortune. But whatever her wealth at any time, she will spend none of it on herself. For this single-minded greed for money she puts everything else out of her life – love, friendship, concern for other people.
Raika also speculates in currencies during the tumultuous years of the Austro-Hungarian Empire and the uncertain emergence of the new Yugoslav state. A good deal of the power of Andrić’s tale comes through the depiction of this seething historical background, in whose torrent the wretched Raika’s life is washed along like a piece of flotsam.
The novel is carefully thought out and fully imagined, with solid passages of description in the nineteenth-century manner and scrupulous attentions to the job of relating the individual life to the broader pattern of social and economical change. With brilliant economy Andrić sketches the stages through which Miss Raika hoards and increases her inheritance: Sarajevo in the era of provincial usury, the economic upheavals and disintegration of the First World War, staid Belgrade headily embarking on the jazz age when the war is over, the pinched depression years during which Miss Raika dies. The requisite drama – the testing of the ruling passion – is present in the form of a young man whose physical resemblance to a beloved uncle long dead touches Miss Raika’s heart enough to make her swerve, though only momentarily, from her objective of never parting with her money.
The chronicle is Andrić’s favorite form, and this novel is no exception, a highly poetic form depicting the past and the present in a meticulous artistic and philosophical manner. Detailed historical analysis serves as a “chain” and always gives a basis for philosophical interpretation. 
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The novel is set in the cities of Sarajevo and Belgrade during the first three decades of this century. The places and time are not incidentally chosen. Ivo Andrić is from Bosnia and knows the people and their problems in this unique area. The theme and composition suggest a work of modern classicism. It is the tragic life of a woman disappointed in people and in the world she lives in. She is completely enslaved by money, in which she hopes to find security and revenge in a hateful and insecure world. At the same time she is literally and feverishly following her bankrupt father’s last plea, as she becomes not only thrifty but a real miser in a classical Gogolian style.
This novel is dominated by a single character, a spinster named Miss Raika Radaković who is dominated by a single passion, stinginess. The development of this passion is traced through the first third of this century, from the time Miss Raika’s dying father, a ruined merchant, solemnly enjoins his school-girl-daughter to guard with her life the little property he can leave her, until some thirty-five years later when she herself dies, a scrawny old woman, unloved and unlovable, but faithful to her trust. As a moneylender she parlays small insurance legacy after her father into a small fortune. But whatever her wealth at any time, she will spend none of it on herself. For this single-minded greed for money she puts everything else out of her life – love, friendship, concern for other people.
Raika also speculates in currencies during the tumultuous years of the Austro-Hungarian Empire and the uncertain emergence of the new Yugoslav state. A good deal of the power of Andrić’s tale comes through the depiction of this seething historical background, in whose torrent the wretched Raika’s life is washed along like a piece of flotsam.
The novel is carefully thought out and fully imagined, with solid passages of description in the nineteenth-century manner and scrupulous attentions to the job of relating the individual life to the broader pattern of social and economical change. With brilliant economy Andrić sketches the stages through which Miss Raika hoards and increases her inheritance: Sarajevo in the era of provincial usury, the economic upheavals and disintegration of the First World War, staid Belgrade headily embarking on the jazz age when the war is over, the pinched depression years during which Miss Raika dies. The requisite drama – the testing of the ruling passion – is present in the form of a young man whose physical resemblance to a beloved uncle long dead touches Miss Raika’s heart enough to make her swerve, though only momentarily, from her objective of never parting with her money.
The chronicle is Andrić’s favorite form, and this novel is no exception, a highly poetic form depicting the past and the present in a meticulous artistic and philosophical manner. Detailed historical analysis serves as a “chain” and always gives a basis for philosophical interpretation.
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